{"id":47,"date":"2007-09-30T09:29:07","date_gmt":"2007-09-30T16:29:07","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=47"},"modified":"2024-12-25T23:57:16","modified_gmt":"2024-12-26T07:57:16","slug":"how-to-remember-large-extended-chords-part-2","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/how-to-remember-large-extended-chords-part-2\/","title":{"rendered":"How to Remember Large Extended Chords Part 2"},"content":{"rendered":"
This lesson continues from where we left off in the last newsletter lesson on remembering extended chords.<\/font><\/span><\/font><\/address>\n
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If you recall, I displayed a chart like this:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n\n\n\n\n\n\n\n
# of notes<\/font><\/strong><\/u><\/td>\nType of chord<\/font><\/strong><\/u><\/td>\n<\/tr>\n
Three<\/font><\/td>\nTriad<\/font><\/strong><\/td>\n<\/tr>\n
Four<\/font><\/td>\nSeventh<\/font><\/strong><\/td>\n<\/tr>\n
Five<\/font><\/td>\nNinth<\/font><\/strong><\/td>\n<\/tr>\n
Six<\/font><\/td>\nEleventh<\/font><\/strong><\/td>\n<\/tr>\n
Seven<\/font><\/td>\nThirteenth<\/font><\/strong><\/td>\n<\/tr>\n<\/table>\n
<\/font><\/address>\n
If you have the <\/font> 300pg course<\/a><\/font>, you’ll find more information about this on page 50.<\/font><\/span><\/font><\/address>\n
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We’ve already covered triads, sevenths, and ninth chords. If you didn’t get a chance to catch my last newsletter, simply visit www.pianoweekly.com<\/a>!<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Just to recap, here are the formulas for chords we’ve already covered:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Major triads<\/a> (Ch 5): 1 + 3 + 5<\/font><\/span><\/font><\/address>\n
Cmaj: C E G<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Minor triads<\/font><\/span><\/a> (Ch 8): 1 + b3 + 5<\/font><\/span><\/font><\/address>\n
Cmin: C Eb G<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Diminished triad<\/font><\/span><\/a> (Ch 9): 1 + b3 + b5<\/font><\/span><\/font><\/address>\n
Cdim: C Eb Gb<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Augmented triad<\/font><\/span><\/a>: 1 + 3 + #5<\/font><\/span><\/font><\/address>\n
Caug: C E G#<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Major seventh<\/font><\/span><\/a> (Ch 10): 1 + 3 + 5 + 7<\/font><\/span><\/font><\/address>\n
Cmaj7: C E G B<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Minor seventh<\/font><\/span><\/a> (Ch 10): 1 + b3 + 5 + b7<\/font><\/span><\/font><\/address>\n
Cmin7: C Eb G Bb<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Dominant seventh<\/font><\/span><\/a> (Ch 10): 1 + 3 + 5 + b7<\/font><\/span><\/font><\/address>\n
C7 (aka Cdom7): C E G Bb<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Half Diminished seventh<\/font><\/span><\/a>: 1 + b3 + b5 + b7<\/font><\/span><\/font><\/address>\n
C half dim7: C Eb Gb Bb<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Diminished seventh<\/font><\/span><\/a> (Ch 13): 1 + b3 + b5 + bb7 (or just think of it as “6”)<\/font><\/span><\/font><\/address>\n
Cdim7: C Eb Gb A<\/font><\/span><\/font><\/address>\n
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If you know all twelve major scales, then applying these formulas is a no-brainer. For example, taking the 1, 3, and 5 tones of any scale and playing them all together creates a major triad — it’s that simple!<\/font><\/span><\/font><\/address>\n
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Now, let’s get to our eleventh and thirteenth chords:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
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Eleventh Chords:<\/font><\/span><\/strong><\/font><\/address>\n
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Eleventh chords are a lot easier than you think (especially if you already know your seventh chords).<\/font><\/span><\/font><\/address>\n
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First, I’ll list the formulas. Then I’ll give you even easier ways to remember eleventh chords.<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Major eleventh<\/a>: 1 + 3 + 5 + 7 + 9 + 11<\/font><\/span><\/font><\/address>\n
Cmaj11: C E G B D F<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Minor eleventh<\/a>: 1 + b3 + 5 + b7 + 9 + 11<\/font><\/span><\/font><\/address>\n
Cmin11: C Eb G Bb D F<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Dominant eleventh<\/a>: 1 + 3 + 5 + b7 + 9 + 11<\/font><\/span><\/font><\/address>\n
C11: C E G B D F<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
Major:<\/font><\/span><\/strong><\/font><\/address>\n
<\/font><\/address>\n
The easiest way to think of this chord is:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Maj chord + the “5” dominant seventh chord<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
In the key of C major, this is simply C major (C+E+G) under a G7 (because G is the fifth tone of the C major scale. I’m simply using its dominant seventh chord, which is G7).<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
So:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
C maj + G7 = Cmaj11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
C E G B D F<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Notice, this is also identical to the formula above (1 + 3 + 5 + 7 + 9 + 11).<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
You try it:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Cmaj11: Cmaj + G7 = Cmaj 11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Fmaj11: Fmaj + ___7 = Fmaj11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Bbmaj11: Bbmaj + ___7 = Bbmaj11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Eb maj11: Ebmaj + ___7 = Ebmaj11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Abmaj11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Dbmaj11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Gbmaj11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Bmaj11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Emaj11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Amaj11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Dmaj11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Gmaj11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Reference: Just in case you don’t know your dominant seventh chords yet, here’s a quick list for you to refer to…<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
C7 <\/strong>( C E G Bb), F7<\/strong> (F A C Eb), Bb7<\/strong> (Bb D F Ab), Eb7<\/strong> (Eb G Bb Db), Ab7<\/strong> (Ab C Eb Gb), Db7<\/strong> (D F Ab B), Gb7<\/strong> (Gb Bb Db E), B7 <\/strong>(B D# F# A), E7<\/strong> (E G# B D), A7<\/strong> (A C# E G), D7 <\/strong>(D F# A C), and G7<\/strong> (G B D F)<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
Minor:<\/font><\/span><\/strong><\/font><\/address>\n
<\/font><\/address>\n
Forming the minor eleventh chord is just as easy.<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Minor chord + b7 major chord = Minor eleventh chord<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
In the key of C, this is C minor (C Eb G) under Bb maj (Bb D F), since Bb is the b7 tone of the C major scale.<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Note: To find the b7 tone of any scale, simply locate the 7th tone and lower it one-half step. For example, the seventh tone in the C major scale is B so lowering it one-half step gives you the flatted seventh tone (b7).<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
C minor + Bb major = C Eb G Bb D F (Cmin11)<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
You try it:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Cmin11: Cmin + Bbmaj = Cmin 11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Fmin11: Fmin + ___ maj = Fmin11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Bbmin11: Bbmin + ___ maj = Bbmin11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Ebmin11: Ebmin + ___ maj = Ebmin11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Abmin11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Dbmin11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Gbmin11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Bmin11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Emin11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Amin11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Dmin11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Gmin11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
Dominant:<\/font><\/span><\/strong><\/font><\/address>\n
<\/font><\/address>\n
The dominant eleventh is identical to the dominant minor except for one change.<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Major chord + b7 major chord = Dominant eleventh chord<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
… so instead of playing a minor chord at the bottom (like you did with the min11 chord), simply play a regular major triad.<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
In C major, this is Cmaj (C E G) under Bbmaj (Bb D F). Basically, two major triads stacked on top of each other. It can’t get any easier than this.<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
You try it:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
C11: Cmaj + Bbmaj = C11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
F11: Fmaj + ___ maj = F11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Bb11: Bbmaj + ___ maj = Bb11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Eb11: Ebmaj + ___ maj = Eb11<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Ab11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Db11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Gb11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
B11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
E11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
A11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
D11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
G11: _______________________<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
Easier Trick: I just prefer playing C on my left hand (or a power chord), and playing Bbmaj on my right hand and it creates the same dominant 11 sound I’m looking for (just without the 3 and 5)!<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
Thirteenth Chords:<\/font><\/span><\/strong><\/font><\/address>\n
<\/font><\/address>\n
Next, we’ll turn to thirteenth chords.<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Here are the formulas for the three thirteenth chords we’ll cover below:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Major thirteenth<\/a>: 1 + 3 + 5 + 7 + 9 + 11 + 13<\/font><\/span><\/font><\/address>\n
Cmaj13: C E G B D F A<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
Easy way: <\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Major seventh chord + 2 minor chord = Major thirteenth chord<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Example: In the key of C, this is Cmaj7 (C E G B) under Dmin (D F A). <\/font><\/span><\/font><\/address>\n
C E G B D F A, played together, create a Cmaj13 chord.<\/font><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
Minor thirteenth<\/a>: 1 + b3 + 5 + b7 + 9 + 11 +13<\/font><\/span><\/font><\/address>\n
Cmin13: C Eb G Bb D F A<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Easy way:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Min seventh chord + 2 min chord = Minor thirteenth chord<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Example: In the key of C, this is Cmin7 (C Eb G Bb) under Dmin (D F A).<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Cmin13 = C Eb G Bb D F A (Cmin7 + Dmin)<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
Dominant thirteenth<\/a>: 1 + 3 + 5 + b7 + 9 + 11 +13<\/font><\/span><\/font><\/address>\n
C13: C E G B D F A<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
Easy way:<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Dominant seventh chord + 2 minor chord = Major thirteenth chord<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
Example: In the key of C, this is C7 (C E G Bb) under Dmin (D F A). <\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
C13 = C E G Bb D F A<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
Easier way: I commonly play C on my left hand while playing a Bbmaj7 on my right hand (Left: C \/\/ Right: Bb D F A). This produces the same sound as a 13th chord (just without the third and fifth present). Notice, the Bb is the 7th of C… the D is the 9th… the F is the 11th… and the A is the 13th.<\/font><\/span><\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
<\/font><\/address>\n
In the next lesson, we’ll learn how to apply these extended chords to various progressions and songs!<\/font><\/font><\/address>\n

\n<\/font><\/address>\n","protected":false},"excerpt":{"rendered":"

This lesson continues from where we left off in the last newsletter lesson on remembering extended chords.<\/p>\n","protected":false},"author":1,"featured_media":23427,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[],"class_list":["post-47","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","post-wrapper","thrv_wrapper"],"yoast_head":"\nHow to Remember Large Extended Chords Part 2 - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hearplaymain.wpenginepowered.com\/how-to-remember-large-extended-chords-part-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How to Remember 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