{"id":485,"date":"2008-10-24T11:57:14","date_gmt":"2008-10-24T18:57:14","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/anyone-else-want-to-learn-another-easy-way-to-classify-chords"},"modified":"2024-12-25T19:11:17","modified_gmt":"2024-12-26T03:11:17","slug":"anyone-else-want-to-learn-another-easy-way-to-classify-chords","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/anyone-else-want-to-learn-another-easy-way-to-classify-chords\/","title":{"rendered":"Anyone else want to learn another easy way to classify chords?"},"content":{"rendered":"<p>Most people just classify chords by name and <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">chord quality<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> (major vs minor, augmented vs diminished).<\/p>\n<p>But today, I want to show you another world. Here&#8217;s how to think of chords by the <em>number of notes<\/em> they contain.<\/p>\n<p>This will be short and to the point.<\/p>\n<p>&nbsp;<\/p>\n<h2>Triads<\/h2>\n<p>Music theorists still argue over whether a chord officially starts with 2 or 3 tones played at the same time. It seems like 3 is more accepted. But for the sake of knowing, I&#8217;ll give you the name of a two-note combination at the end of this post. <\/p>\n<p>But, for now, let&#8217;s start with the popular &#8220;<a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">triad<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script>.&#8221;<\/p>\n<p>Any time you have a collection of three notes played together, you&#8217;re playing a <strong>triad.<\/strong><\/p>\n<p>Most basic chords fall under this category. <\/p>\n<ul>\n<li>major triad (e.g. &#8211; C major: C + E + G)<\/li>\n<li>minor triad (e.g. &#8211; C minor: C + Eb + G)<\/li>\n<li>diminished triad (e.g. &#8211; C diminished: C + Eb + Gb)<\/li>\n<li>augmented triad (e.g. &#8211; C augmented: C + E + G#)<\/li>\n<\/ul>\n<p>So any time you hear, &#8220;give me a _______ triad,&#8221; that&#8217;s only asking for a 3-toned chord. Don&#8217;t give the composer or music director more than that! After all, in some arrangements, less is better.<\/p>\n<p>&nbsp;<\/p>\n<h2>Tetrads<\/h2>\n<p>Then next, there is what we call <strong>&#8220;tetrads.&#8221;<\/strong><\/p>\n<p>These are chords using four notes. <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">Seventh chords<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> are essentially tetrads.<\/p>\n<ul>\n<li>major seventh (e.g. &#8211; C major 7: C + E + G + B)<\/li>\n<li>minor seventh (e.g. &#8211; C minor 7: C + Eb + G + Bb)<\/li>\n<li>diminished seventh (e.g. &#8211; C diminished 7: C + Eb + Gb + Bbb)<\/li>\n<li>augmented seventh (e.g. &#8211; C augmented 7: C + E + G# + Bb)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2>Pentads<\/h2>\n<p>Chords using five notes are called <strong>&#8220;pentads.&#8221;<\/strong> Yes, that sounds like the <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">pentatonic scale<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> from <a href=\"https:\/\/www.hearandplay.com\/main\/how-to-use-the-pentatonic-scale\">this lesson<\/a> (5-tone scale).<\/p>\n<p>(In fact, there&#8217;s such a thing as <strong>tri<\/strong>tonic and <strong>tetra<\/strong>tonic scales too! But let&#8217;s save that for another lesson.)<\/p>\n<p>Ninths are a form of pentads.<\/p>\n<p>For example, C major 9 is C + E + G + B + D. Five notes!<\/p>\n<p>Again, it&#8217;s just a general term for a chord with 5 notes.<\/p>\n<h2>Hexads and Heptads<\/h2>\n<p>And lastly, <strong>&#8220;hexads&#8221;<\/strong> and <strong>&#8220;heptads&#8221;<\/strong> are the names given to 6 and 7-toned chords, respectively.<\/p>\n<p>An example of a hexad is an <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">eleventh chord<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> and an example of a heptad is a <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">thirteenth chord<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script>.<\/p>\n<p>&nbsp;<\/p>\n<p class=\"mediumtext\"><strong>Other classifications<\/strong><\/p>\n<p>I also promised to give you the name of a 2-toned combination, even though its merit as a chord is questionable&#8230;<\/p>\n<p>We call those <strong>&#8220;dyads.&#8221;<\/strong> Others choose to just reference them as &#8220;intervals.&#8221; <em><a href=\"https:\/\/www.hearandplay.com\/main\/heres-a-method-thatll-make-your-chords-more-powerful\">Power chords<\/a><\/em> and <em><a href=\"https:\/\/www.hearandplay.com\/main\/let-me-introduce-you-to-the-power-chords-cousin\">tritones<\/a><\/em> fall under this category.<\/p>\n<p>And for extra credit, a <strong>&#8220;monad&#8221;<\/strong> is a single note. The &#8220;<a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">chromatic scale<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script>&#8221; comes to mind, which is basically composed of twelve monads.<\/p>\n<p>So there you have it! A really fact-filled, <em>reference post<\/em> for today!<\/p>\n<p>So if you ever hear me referencing any of these, you should now know what they mean!<\/p>\n<div class=\"productinfo\"><strong>Exercise:<\/strong> Let&#8217;s try to think of every tetrad we can! I&#8217;ll start it off!<\/div>\n<p>Until next time &#8212;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2008\/09\/numbergame-small.jpg\" class='videopic'>Most people just classify chords by name and chord quality (major vs minor, augmented vs diminished). But today, I want to show you another world. Here&#8217;s how to think of chords by the <em>number of notes<\/em> they contain. This will be short and to the point.<\/p>\n","protected":false},"author":1,"featured_media":23253,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[655,69,1054,1058,1053,1050,68,1057,1052,195,1056,1051,70,52,1055,120],"class_list":["post-485","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-announcements","tag-dyads","tag-elevenths","tag-heptads","tag-hexachords","tag-hexads","tag-monad","tag-ninths","tag-pentachords","tag-pentads","tag-sevenths","tag-tetrachords","tag-tetrads","tag-thirteenths","tag-triads","tag-trichords","tag-tritones","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Anyone else want to learn another easy way to classify chords? - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hearplaymain.wpenginepowered.com\/anyone-else-want-to-learn-another-easy-way-to-classify-chords\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anyone else want to learn another easy way to classify chords? - Hear and Play Music Learning Center\" \/>\n<meta property=\"og:description\" content=\"Most people just classify chords by name and chord quality (major vs minor, augmented vs diminished). 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