{"id":676,"date":"2008-11-03T13:10:51","date_gmt":"2008-11-03T20:10:51","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/learn-these-most-common-chord-progression-types-and-never-get-stuck-again"},"modified":"2024-12-25T19:05:41","modified_gmt":"2024-12-26T03:05:41","slug":"learn-these-most-common-chord-progression-types-and-never-get-stuck-again","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/learn-these-most-common-chord-progression-types-and-never-get-stuck-again\/","title":{"rendered":"Learn these most common chord progression types and never get stuck again&#8230;"},"content":{"rendered":"<p>When it comes to playing songs, there are tons of progressions to learn.<\/p>\n<p>But I want to focus on what I think are the 3 most commonly used types.<\/p>\n<p>And even among this group, I think the <em>&#8220;Pareto principle&#8221;<\/em> or <em>&#8220;80-20 rule&#8221; <\/em>would apply &#8212; meaning just the 1st type will probably be responsible for majority of <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">chord progressions<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> out there in songs (or as they put it, 20% of something will generally be responsible for 80% of a result).<\/p>\n<p>For the purposes of this lesson, let&#8217;s label each type of progression as &#8220;A,&#8221; &#8220;B,&#8221; and &#8220;C.&#8221; Others have named them &#8220;alpha,&#8221; &#8220;beta,&#8221; and &#8220;gamma&#8221; but I want to keep things simple around here (like we also do).<\/p>\n<p><strong>Most Common Progressions:<\/strong><\/p>\n<blockquote>\n<ol>\n<li>Progressions that rise by fourths (or fall by fifths)<\/li>\n<li>Progressions that fall by thirds (or rise by sixths)<\/li>\n<li>Progression that rise by seconds (or fall by sevenths)<\/li>\n<\/ol>\n<\/blockquote>\n<p>*Don&#8217;t be confused by what&#8217;s written in parentheses. They are essentially the same thing! For example, if you rise by a fourth from &#8220;C,&#8221; you&#8217;ll arrive at &#8220;F&#8221; (C &#8211; D &#8211; E &#8211; F). If you fall by a fifth from &#8220;C,&#8221; you&#8217;ll arrive at &#8220;F&#8221; as well (C &#8211; B &#8211; A &#8211; G &#8211; F). Yes, it&#8217;s a lower &#8220;F&#8221; but it&#8217;s &#8220;F!&#8221;<\/p>\n<p>&nbsp;<\/p>\n<h2>Progressions that rise by fourths \/ fall by fifths<\/h2>\n<p>These will <strong>dominate<\/strong> most popular songs.<\/p>\n<p>If you&#8217;ve been an avid reader of this blog, you know how much I talk about circular progressions and the circle of fifths chart. Most music moves in fourths and fifths. If you just mastered progressions like this, you&#8217;d probably be able to play like 80% of songs (&#8230;or more, but don&#8217;t quote me on the exact figure. I&#8217;m just &#8220;guesstimating&#8221; here).<\/p>\n<p>These are <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">2-5-1 chord progressions<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> like &#8220;D minor &#8211; G7 &#8211; C major.&#8221; Notice they all moved in fourths. I honestly can&#8217;t think of very many popular songs that don&#8217;t use fourth and fifth progressions.<\/p>\n<p>&nbsp;<\/p>\n<h2>Progressions that fall by thirds \/ rise by sixths<\/h2>\n<p>Not as common as the fourth and fifth interval progressions above, these come in close though!<\/p>\n<p>You&#8217;ve undoubtedly seen progressions like &#8220;<strong>C major &#8211; A minor &#8211; F major<\/strong> &#8211; G major.&#8221;<\/p>\n<p>The C major to A minor to F major all move in <em>falling thirds<\/em>.<\/p>\n<blockquote><p><strong>C<\/strong> to B to <strong>A<\/strong> = minor third<br \/>\n<strong>A<\/strong> to G to <strong>F<\/strong> = major third<\/p><\/blockquote>\n<p>C down to A is a minor third.<br \/>\nA down to F is a major third.<\/p>\n<p>(Oh yeah, notice the mixing and matching. That&#8217;s because it doesn&#8217;t matter what kind of third. It can fall by a major third or a minor third &#8212; as long as they are thirds. That goes for any of these progression types.)<\/p>\n<p>Particularly in C major, we know that going from C major to A minor is very common. &#8220;A&#8221; is the relative minor of &#8220;C.&#8221; <\/p>\n<p>In fact, &#8220;A minor&#8221; can outright replace &#8220;C major&#8221; in certain progressions since they are tightly related.<\/p>\n<p>&nbsp;<\/p>\n<h2>Progressions that rise by seconds \/ fall by sevenths<\/h2>\n<p>These come in at third place. <\/p>\n<p>You&#8217;ll find this among primary chords of a major key.<\/p>\n<p>For example, in C major, the primary chords are C major, F major, and G major.<\/p>\n<p>As you know, C to F is a fourth so that gets taken care of by the TOP progression above. But the F to G &#8212; that falls under this category. It&#8217;s rises by a second.<\/p>\n<p><strong>A note about intervals:<\/strong><\/p>\n<p>You may want to look at <a href=\"https:\/\/www.hearandplay.com\/main\/at-last-a-foolproof-method-for-naming-chords\">this lesson on how to correctly name intervals<\/a>.<\/p>\n<p>Basically, if you&#8217;re going to call an interval a &#8220;second,&#8221; it needs to encompass 2 letter names. F to G passes that test. F is one letter name, G is the other. <\/p>\n<p>Same goes for thirds. C to E passes because C is the first letter name, D is the second (it isn&#8217;t played but it is &#8220;inside&#8221; the interval), E is third.<\/p>\n<p>Some people accidentally call Ab to B a third. Sure enough, it makes the same sound as a minor third and if you played Ab and B, it would surely sound like a minor third. But it&#8217;s considered a second because it only encompasses two letter names in its interval.<\/p>\n<p>So just remember that when you&#8217;re using these progression types.<\/p>\n<p>Ok, let me summarize.<\/p>\n<p>There are three common chord progression types.<\/p>\n<blockquote><p>\nType A progressions rise by fourths or falls by fifths.<\/p>\n<p>Type B progressions fall by thirds or rise by sixths.<\/p>\n<p>Type C progressions rise by seconds or fall by sevenths.<\/p><\/blockquote>\n<p>*If you just want to think of &#8220;type A&#8221; as rising by fourths, that&#8217;s fine. You don&#8217;t have to necessarily remember the other half (i.e. &#8211; &#8220;fall by fifths&#8221;). They essentially both take you to the same note.<\/p>\n<div class=\"productinfo\">Exercise: List a real-life example of any of the <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">progression types<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script><br \/>\n from this lesson. It can be in any key of your choice! I&#8217;ll start it off.<\/div>\n<p>Hope you enjoyed this lesson!<\/p>\n<p>Until next time &#8212;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2008\/08\/secondarydominant.jpg\" class=\"videopic\">When it comes to playing songs, there are tons of progressions to learn. But I want to focus on what I think are the 3 most commonly used types.<\/p>\n<p>And even among this group, I think the <em>&#8220;Pareto principle&#8221;<\/em> or <em>&#8220;80-20 rule&#8221; <\/em>would apply &#8212; meaning just the 1st type will probably be responsible for majority of chord progressions out there in songs (or as they put it, 20% of something will generally be responsible for 80% of a result).<\/p>\n","protected":false},"author":1,"featured_media":23241,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[1242,1243,1241,13,1451,1246,1244,1247,1448,1245],"class_list":["post-676","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","tag-alpha-chord-progressions","tag-beta-chord-progressions","tag-chord-progression-types","tag-chord-progressions","tag-common-chord-progression","tag-falling-fifths","tag-gamma-chord-progressions","tag-interval-progressions","tag-most-common-chord-progression","tag-rising-fourths","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Learn these most common chord progression types and never get stuck again... - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hearplaymain.wpenginepowered.com\/learn-these-most-common-chord-progression-types-and-never-get-stuck-again\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Learn these most common chord progression types and never get stuck again... - Hear and Play Music Learning Center\" \/>\n<meta property=\"og:description\" content=\"When it comes to playing songs, there are tons of progressions to learn. But I want to focus on what I think are the 3 most commonly used types.  And even among this group, I think the &quot;Pareto principle&quot; or &quot;80-20 rule&quot; would apply --- meaning just the 1st type will probably be responsible for majority of chord progressions out there in songs (or as they put it, 20% of something will generally be responsible for 80% of a result).\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hearplaymain.wpenginepowered.com\/learn-these-most-common-chord-progression-types-and-never-get-stuck-again\/\" \/>\n<meta property=\"og:site_name\" content=\"Hear and Play Music Learning Center\" \/>\n<meta property=\"article:published_time\" content=\"2008-11-03T20:10:51+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-26T03:05:41+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/hearplaymain.wpenginepowered.com\/wp-content\/uploads\/2008\/11\/learn-these-most-common-chord-progression-types-and-never-get-stuck-again\u2026.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Hear &amp; 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And even among this group, I think the \"Pareto principle\" or \"80-20 rule\" would apply --- meaning just the 1st type will probably be responsible for majority of chord progressions out there in songs (or as they put it, 20% of something will generally be responsible for 80% of a result).","og_url":"https:\/\/hearplaymain.wpenginepowered.com\/learn-these-most-common-chord-progression-types-and-never-get-stuck-again\/","og_site_name":"Hear and Play Music Learning Center","article_published_time":"2008-11-03T20:10:51+00:00","article_modified_time":"2024-12-26T03:05:41+00:00","og_image":[{"width":1000,"height":667,"url":"https:\/\/hearplaymain.wpenginepowered.com\/wp-content\/uploads\/2008\/11\/learn-these-most-common-chord-progression-types-and-never-get-stuck-again\u2026.jpg","type":"image\/jpeg"}],"author":"Hear &amp; Play Team","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Hear &amp; Play Team","Est. reading time":"5 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/hearplaymain.wpenginepowered.com\/learn-these-most-common-chord-progression-types-and-never-get-stuck-again\/#article","isPartOf":{"@id":"https:\/\/hearplaymain.wpenginepowered.com\/learn-these-most-common-chord-progression-types-and-never-get-stuck-again\/"},"author":{"name":"Hear &amp; 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