{"id":710,"date":"2008-11-24T11:27:25","date_gmt":"2008-11-24T18:27:25","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/heres-the-secret-to-soloing-over-dominant-chords"},"modified":"2024-12-25T18:52:06","modified_gmt":"2024-12-26T02:52:06","slug":"heres-the-secret-to-soloing-over-dominant-chords","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/heres-the-secret-to-soloing-over-dominant-chords\/","title":{"rendered":"Here&#8217;s the secret to soloing over dominant chords"},"content":{"rendered":"<p>In <a href=\"https:\/\/www.hearandplay.com\/main\/who-else-wants-to-learn-how-to-solo-with-the-altered-scale\">Friday&#8217;s lessons<\/a>, I talked about the &#8220;altered&#8221; scale (or super locrian mode) and how you can use it to solo over various altered chords.<\/p>\n<p>Today, I want to talk about another <a href=\"https:\/\/www.hearandplay.com\/main\/modes-of-the-scale\">mode<\/a> you can use to solo or improvise over certain chords.<\/p>\n<p>That mode is called &#8220;mixolydian.&#8221; (If you didn&#8217;t see my <a href=\"https:\/\/www.hearandplay.com\/main\/who-else-wants-to-learn-how-to-solo-with-the-altered-scale\">last post<\/a>, it&#8217;ll really catch you up).<\/p>\n<p>Basically, it&#8217;s when you play a major scale starting and ending on it&#8217;s fifth tone.<\/p>\n<p>For example, take the <strong>C major scale<\/strong>:<\/p>\n<p>C major scale<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?first_octave=C,D,E,F,G,A,B&#038;second_octave=C&#038;color=99CCFF&#038;size=2' \/><\/p>\n<p>The fifth degree of the scale is G.<\/p>\n<p>So if you wanted to play the <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">mixolydian mode<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script>, just play these SAME exact notes starting and ending on G. Don&#8217;t change any notes. I repeat, keep the notes the same. Just change the starting and ending points.<\/p>\n<p>G mixolydian<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?first_octave=G,A,B&#038;second_octave=C,D,E,F,G&#038;color=99CCFF&#038;size=2' \/><\/p>\n<p>Notice that the mixolydian mode is just like a regular <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">major scale<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> with ONE change.<\/p>\n<p>Compare it to the regular G major scale:<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?first_octave=G,A,B&#038;second_octave=C,D,E,Fs,G&#038;color=99CCFF&#038;size=2' \/><\/p>\n<p>It&#8217;s the 7th tone. Yup, you guessed it.<\/p>\n<p>Basically, the 7th tone is lowered a half step in the mixolydian mode. So instead of F#, you play F.<\/p>\n<p>This works very well over <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">dominant chords<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> because if you think about the notes of the G dominant 7 chord (which falls on the fifth degree of the C major scale), its notes are:<\/p>\n<p><img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?first_octave=G,B&#038;second_octave=D,F&#038;color=99CCFF&#038;size=2' \/><\/p>\n<p>See the lowered &#8220;F?&#8221;<\/p>\n<p>That&#8217;s why the mixolydian mode works so well over dominant chords. In fact, not just dominant 7 chords either&#8230; you can use this same scale over 9th chords&#8230; 11th chords&#8230; 13th chords&#8230; even sus chords.<\/p>\n<p>G9<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?first_octave=G,B&#038;second_octave=D,F,A&#038;color=99CCFF&#038;size=2' \/><\/p>\n<p>So the next time you want to find something to do while you&#8217;re on the 5th degree of the scale, consider the mixolydian mode. You don&#8217;t have to learn anything &#8220;new&#8221; to employ it. Just think of it as your C major scale from &#8220;G&#8221; to &#8220;G&#8221; and you&#8217;ll be good to go! Skip notes, rearrange notes &#8212; just play around with those notes of the mode and see what you can come up with!<\/p>\n<p>Until next time &#8212;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In <a href=\"https:\/\/www.hearandplay.com\/main\/who-else-wants-to-learn-how-to-solo-with-the-altered-scale\">Friday&#8217;s lessons<\/a>, I talked about the &#8220;altered&#8221; scale (or super locrian mode) and how you can use it to solo over various altered chords.<\/p>\n<p>Today, I want to talk about another <a href=\"https:\/\/www.hearandplay.com\/main\/modes-of-the-scale\">mode<\/a> you can use to solo or improvise over certain chords.<\/p>\n<p>That mode is called &#8220;mixolydian.&#8221; (If you didn&#8217;t see my <a href=\"https:\/\/www.hearandplay.com\/main\/who-else-wants-to-learn-how-to-solo-with-the-altered-scale\">last post<\/a>, it&#8217;ll really catch you up).<\/p>\n<p><center><img src='https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2008\/11\/gmixolydian.jpg' alt='gmixolydian.jpg' \/><\/center><\/p>\n","protected":false},"author":1,"featured_media":23220,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[229],"tags":[1316,1318,1314,1315,1317,798,1312,1313,1485],"class_list":["post-710","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scales-theory-piano","tag-dominant-11-chords","tag-dominant-11-sus","tag-dominant-7-chords","tag-dominant-9-chords","tag-dominant-9-sus","tag-dominant-chords","tag-mixolydian-mode","tag-mixolydian-scale","tag-soloing-over-dominant-chords","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Here&#039;s the secret to soloing over dominant chords - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hearplaymain.wpenginepowered.com\/heres-the-secret-to-soloing-over-dominant-chords\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Here&#039;s the secret to soloing over dominant chords - Hear and Play Music Learning Center\" \/>\n<meta property=\"og:description\" content=\"In Friday&#039;s lessons, I talked about the &quot;altered&quot; scale (or super locrian mode) and how you can use it to solo over various altered chords.  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