{"id":719,"date":"2008-12-01T11:43:46","date_gmt":"2008-12-01T18:43:46","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/how-to-use-the-altered-scale-over-different-chords"},"modified":"2024-12-25T18:51:11","modified_gmt":"2024-12-26T02:51:11","slug":"how-to-use-the-altered-scale-over-different-chords","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/how-to-use-the-altered-scale-over-different-chords\/","title":{"rendered":"How To Use The Altered Scale Over Different Chords"},"content":{"rendered":"<p><img src='https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2008\/12\/bandbig.jpg' class='videopic' alt='bandbig.jpg' \/>I&#8217;m back!<\/p>\n<p>Things have been so hectic. From the launch of GMTC to server problems and Thanksgiving, I&#8217;ve had enough to keep me busy indeed.<\/p>\n<p>But now, my head is clear and I&#8217;m ready to go full force!<\/p>\n<p>Recall, the other day, I taught you the <a href=\"https:\/\/www.hearandplay.com\/main\/who-else-wants-to-learn-how-to-solo-with-the-altered-scale\">altered scale<\/a> (a.k.a. &#8211; the &#8216;<a href=\"https:\/\/www.hearandplay.com\/main\/who-else-wants-to-learn-how-to-solo-with-the-altered-scale\">super locrian<\/a>&#8216; mode)<\/p>\n<p>You&#8217;ll really want to check out <a href=\"https:\/\/www.hearandplay.com\/main\/who-else-wants-to-learn-how-to-solo-with-the-altered-scale\">this past post<\/a> if you haven&#8217;t already. You&#8217;ll be lost if you don&#8217;t.<\/p>\n<p>You learned, step-by-step, how to play the altered scale.<\/p>\n<p>It&#8217;s basically any <a href=\"https:\/\/www.hearandplay.com\/main\/what-everybody-ought-to-know-about-melodic-minor-scales\">melodic minor scale<\/a> played from the 7th tone to the 7th tone (&#8230; in other words, instead of starting and ending on the first tone of the scale like you&#8217;d normally do, you start and end on the 7th tone of the SAME scale. It gives it a totally different feel). So in essence, we&#8217;re mixing together two past ideas you&#8217;ve already learned: 1) the <a href=\"https:\/\/www.hearandplay.com\/main\/what-everybody-ought-to-know-about-melodic-minor-scales\">melodic minor scale<\/a> and, 2) <a href=\"https:\/\/www.hearandplay.com\/main\/modes-of-the-scale\">modes<\/a>.<\/p>\n<p>So here&#8217;s the &#8220;B Super Locrian&#8221; scale you learned from my previous post:<\/p>\n<p><img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?first_octave=B&amp;second_octave=C,D,Eb,F,G,A,B&amp;color=99CCFF&amp;size=2' \/><\/p>\n<p>Now, let&#8217;s take it a step further and show you how to multiply your usage of scales, modes, and &#8220;runs.&#8221;<\/p>\n<p>In my last lesson, I explained that you can play this scale pretty much over any of these types of chords:<\/p>\n<blockquote><p>B7 #9#5<br \/>\nB7 b9 #5<br \/>\nB7 b9<br \/>\nB7 #9<br \/>\nB7 #5\n<\/p><\/blockquote>\n<p>&#8230;Basically, any chord with a sharp or flat 9 or a sharp or flat 5&#8230; essentially, some of the most commonly used &#8220;altered&#8221; chords (thus the name, &#8220;altered scale&#8221;).<\/p>\n<p>Why? Because those are the tones represented in the scale (if you write the scale degree numbers out)&#8230;<\/p>\n<blockquote><p><strong>Altered \/ Super Locrian scale<\/strong> = 1, b9, #9, 3, b5, #5, b7\n<\/p><\/blockquote>\n<p>But these aren&#8217;t the only chords you can use this scale with&#8230;<\/p>\n<p>Remember the concept of &#8220;<a href=\"https:\/\/www.hearandplay.com\/main\/let-me-introduce-you-to-the-power-chords-cousin\">tritones?<\/a>&#8221; I taught this a few months back.<\/p>\n<p>Every note has another note that&#8217;s a &#8220;tritone&#8221; away in distance. I told you to memorize these &#8220;pairs&#8221; as if your music career depended on it &#8212; because they&#8217;re used EVERYWHERE!<\/p>\n<p>I don&#8217;t have enough space to talk about tritones in depth but check out <a href=\"https:\/\/www.hearandplay.com\/main\/let-me-introduce-you-to-the-power-chords-cousin\">this past lesson<\/a> and similar ones in my <a href=\"https:\/\/www.hearandplay.com\/main\/archives\/\">archives<\/a>.<\/p>\n<p>So in order to find out where else you can use this &#8220;B super locrian&#8221; (a.k.a &#8211; &#8220;B altered scale&#8221;), among many places, ask yourself this question&#8230;<\/p>\n<blockquote><p>\n&#8220;What is a tritone away from B?&#8221;<\/p><\/blockquote>\n<p>Hint: A tritone is either 3 whole steps up or 3 whole steps down&#8230; you&#8217;ll arrive at the same place!<\/p>\n<blockquote><p>The answer is: F\n<\/p><\/blockquote>\n<p>F is a tritone away from B and they collectively create a tritone if you play them together (&#8220;B + F&#8221;).<\/p>\n<p>So that means you can play the same scale over an F dominant chord (or even altered chord but you may have to omit some &#8220;avoid notes.&#8221;). I personally prefer a dominant 13 chord or some type of extended dominant chord (9th, 11th, 13th, etc).<\/p>\n<p>Example:<br \/>\n<strong><br \/>\nF9 (add 13)<\/strong><br \/>\n(F not shown but play it on your bass)<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?first_octave=Eb,G,A&amp;second_octave=D&amp;color=99CCFF&amp;size=2' \/><\/p>\n<p>And you can use the same &#8220;B altered \/ super locrian&#8221; scale from above to solo over it:<\/p>\n<p><img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?first_octave=B&amp;second_octave=C,D,Eb,F,G,A,B&amp;color=99CCFF&amp;size=2' \/><\/p>\n<p>Why does this work so well?<\/p>\n<p>Because if you simply keep the chord the same and only change your bass from &#8220;F&#8221; to &#8220;B,&#8221; you&#8217;ll be back to a &#8220;B7 #9#5&#8221; altered chord and as you know from the list of chords above, it&#8217;s one of the ones the work really well with the altered scale. <\/p>\n<p>B7 (#9#5)<\/strong><br \/>\n(B not shown but play it on your bass)<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?first_octave=Ds,G,A&amp;second_octave=D&amp;color=99CCFF&amp;size=2' \/><\/p>\n<p>Note: This is actually how all dominant chords work. If you just keep your right-hand chord the same and switch your bass to a &quot;tritone&quot; away, you&#039;ll have two chords that can be substituted for each other! Works most of the time&#8230; like a charm! We call this idea&#8230; &quot;<a href=\"https:\/\/www.hearandplay.com\/main\/can-tritone-substitutions-really-revolutionize-your-playing\">tritone substitutions<\/a>.&#8221;<\/p>\n<p>See&#8230; I told you this post would be detailed! Just making up for a few MIA days!<\/p>\n<p>Take it slowly. Repeat it if you have to.<\/p>\n<p>Until next time &#8212;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img src='https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2008\/12\/bandsmall.jpg' class='videopic' alt='bandbig.jpg' \/>I&#8217;m back! Things have been so hectic. From the launch of GMTC to server problems and Thanksgiving, I&#8217;ve had enough to keep me busy indeed.<\/p>\n<p>But now, my head is clear and I&#8217;m ready to go full force!<\/p>\n<p>Recall, the other day, I taught you the <a href=\"https:\/\/www.hearandplay.com\/main\/who-else-wants-to-learn-how-to-solo-with-the-altered-scale\">altered scale<\/a> (a.k.a. &#8211; the &#8216;<a href=\"https:\/\/www.hearandplay.com\/main\/who-else-wants-to-learn-how-to-solo-with-the-altered-scale\">super locrian<\/a>&#8216; mode) You&#8217;ll really want to check out <a href=\"https:\/\/www.hearandplay.com\/main\/who-else-wants-to-learn-how-to-solo-with-the-altered-scale\">this past post<\/a> if you haven&#8217;t already. You&#8217;ll be lost if you don&#8217;t&#8230;<\/p>\n","protected":false},"author":1,"featured_media":23218,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[229],"tags":[1326,1310,1325,1324,1323,1322,1301,1321,1489,1327,661],"class_list":["post-719","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-scales-theory-piano","tag-9-5","tag-altered-scale","tag-b9-5","tag-b9-9-scale","tag-b9-scale","tag-melodic-minor-soloing","tag-super-locrian-mode","tag-super-locrian-scale","tag-the-altered-scale","tag-tritone-soloing","tag-tritone-substitution","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>How To Use The Altered Scale Over Different Chords - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hearplaymain.wpenginepowered.com\/how-to-use-the-altered-scale-over-different-chords\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How To Use The Altered Scale Over Different Chords - Hear and Play Music Learning Center\" \/>\n<meta property=\"og:description\" content=\"I&#039;m back! Things have been so hectic. From the launch of GMTC to server problems and Thanksgiving, I&#039;ve had enough to keep me busy indeed.  But now, my head is clear and I&#039;m ready to go full force!  Recall, the other day, I taught you the altered scale (a.k.a. - the &#039;super locrian&#039; mode) You&#039;ll really want to check out this past post if you haven&#039;t already. 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