September 8

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An Introductory Lesson On The Turnaround Progression

By Chuku Onyemachi

September 8


In this lesson, we’ll be covering the introductory part of the turnaround progression.

It’s important for any serious musician to learn the turnaround progression because it has its common place in a variety of popular music styles ranging from R & B, to Jazz, to Gospel, Rock, and so on.

A vast majority of songs either have a turnaround progression in-between the verse and chorus, or end with it, while other songs like I Got Rhythm (a Jazz standard) consist of chord progressions that are similar to the turnaround progression.

The Turnaround Progression — Defined

The turnaround progression is basically a chord progression. Consequently, we’ll be starting this lesson by refreshing our minds on the concept of chord progressions.

A Short Note On Chord Progressions

There are eight scale tones in every key — whether major or minor. In the key of C major:

C is the first tone

D is the second tone

E is the third tone

F is the fourth tone

G is the fifth tone

A is the sixth tone

B is the seventh tone

C is the eighth tone

The movement of  chords from one tone of the scale to another creates chord progressions. The movement from the chord of the first tone (the C major seventh chord):

…to the chord of the sixth tone (the A minor seventh chord):

…produces a chord progression.

“What Is A Turnaround Progression?”

At the end of the verse or chorus of a song, there’s usually the need to fill it in with a progression, especially if it leads to the repetition of the verse or chorus or the entire song.

For example, when the song Thank You Lord ends with the line:

I just want to thank you Lord

There are basically four beats/counts that occur before the song goes back again to the line at the beginning that says:

Thank you, Lord

Here’s what it literally looks like:

I just want to thank you (Lord/1, 2, 3, 4) Thank you, Lord

The turnaround progression basically takes you back to Thank you, Lord after four beats/counts.

“Check It Out…”

I:

…just:

…want:

…to:

…thank:

…you:

…Lord (1st beat/count):

(2nd beat/count):

(3rd beat/count):

(4th beat/count):

Thank:

…you:

…Lord:

Did you see how the turnaround progression connected the ending part to the beginning part of the song?

Lord (1st beat/count):

(2nd beat/count):

(3rd beat/count):

(4th beat/count):

Thank:

That’s exactly the idea — connecting sections of a song.

“Here Are The Four Chords Used In The Turnaround…”

(1st beat/count):

(2nd beat/count):

(3rd beat/count):

(4th beat/count):

Let’s go ahead and break down the turnaround progression.

A Breakdown Of The Turnaround Progression

The turnaround progression consists of 4 chords played in 4 counts.

The first chord in the turnaround progression is chord 1, followed by chord 6, then chord 2, and chord 5.

“Why Is It 1-6-2-5?”

Apart from the first two chords which are chord 1 and chord 6, other successive chords in the turnaround progression are a perfect fourth apart from each other. For example:

  1. From chord 6 to chord 2 (which is from A to D) is a perfect fourth interval.
  2. From chord 2 to chord 5 (which is from D to G) is a perfect fourth interval.
  3. From chord 5 back to chord 1 (which is from G to C) is a perfect fourth interval.

A root progression from the sixth (which is A):

…to the second (which is D):

…is a fourth interval.

A root progression from the second (which is D):

…to the fifth (which is G):

…is a fourth interval.

A root progression from the fifth (which is G):

…to the first (which is C):

…is a fourth interval.

So, the turnaround progression is based on fourth intervals between successive chords starting from chord 1, then going back to chord 1 through chord 6:

Starting from chord 1

Ending on chord 1

Through chord 6

So, in any key, chord 1 is the starting point of the turnaround, followed by chord 6, and a movement in fourths until turnaround ends in chord 1:

In the key of Ab major:

We’ll start the turnaround progression with chord 1 (the Ab major ninth chord):

…followed by chord 6 (the F minor ninth chord):

…and then we ascend in fourth intervals to chord 2 (the Bb minor ninth chord):

…chord 5 (the Eb dominant thirteenth [add ninth] chord):

…and end with chord 1 (the Ab major ninth chord):

Final Words

Due to the fact that the concept of the turnaround progression is inexhaustible even in a 7-post series, we’ll stop here for today having covered the basics. We’ll further our discussion in subsequent posts.

See you in the next lesson!

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